2026 KICD CBC Curriculum Design14 Weeks · 70 Lessons6 Strands in Term 2

Grade 6 Creative Arts Schemes of Work & Strands (Term 2 2026)

Comprehensive curriculum designs, strands, sub-strands, specific learning outcomes, inquiry questions, and editable schemes of work for Grade 6 Creative Arts Term 2. Free on-page syllabus breakdown with instant export to editable Word (.docx) and PDF.

Grade 6 Creative Arts Term 2 Curriculum Overview

Summary of syllabus requirements, weekly distribution, key milestones, and course books approved by the Kenya Institute of Curriculum Development (KICD) for Grade 6 Creative Arts in Term 2.

Class / Grade
Grade 6
Pre-Primary Level
Learning Area
Creative Arts
Core CBC Activity
Term Duration
14 Weeks (70 Lessons)
5 Lessons Per Week
Key Milestones
Mid: Wk 8 · Exam: Wk 14
Ministry of Education 2026
Full Term Timetable

Grade 6 Creative Arts Term 2 Scheme of Work Table

Week-by-week lesson matrix with specific learning outcomes, inquiry questions, learning experiences, and assessment methods.

Scheme Font Size:

Changes text size in this preview and in downloaded Word (.docx) & PDF files.

70 Lessons · Weeks Merged← Swipe horizontally to see all columns →
WkLsnStrandSub-strandSpecific Learning OutcomesKey Inquiry Question(s)Learning ExperiencesLearning ResourcesAssessment MethodsReflection
11Creating and PerformingRhythm and Pattern Making-

1. b) Ver, m semibreve a nd c) French m names: taa, ra- 'e, raa-aa, raaNote symbols and 'heir rests d) e) interpret rhythmic patterns in music, compose a rhythm using a combination of musical notes and their improvise a rhythm in threebeat pattern on a percussion instrument, prepare a block with a geometrical motif for printing a pattern, print a full repeat pattern using a block for rhythm acquisition?

- beat atterns

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
2Creating and PerformingCreating IS and Executing Weaving-

1. (s) Why is recycling beneficial to the e nvironment?

- research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
3Creating and PerformingCreating IS and Executing Weaving-

1. (s) Why is recycling beneficial to the e nvironment?

- research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
4Creating and PerformingCreating IS and Executing Weaving-

1. (s) Why is recycling beneficial to the e nvironment?

- research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
5Creating and PerformingCreating IS and Executing Weaving-

1. b) c) d) identify a plain weave for fami liarity, prepare materials and tools for weaving, weave a mat using plain weave on a serrated card loom, appreciate our own and peers ' woven items used for gymnas tics per formance?

- research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
21Creating and PerformingCreating IS and Executing Weaving-

1. b) c) d) identify a plain weave for fami liarity, prepare materials and tools for weaving, weave a mat using plain weave on a serrated card loom, appreciate our own and peers ' woven items used for gymnas tics per formance?

- research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
2Creating and PerformingSub-strand 27-

1. Why are sequences performed in Gymnasti c s ?

- watch a video or live performance of a cartwheel in gymnastics and talk about how it is done

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
3Creating and PerformingSub-strand 27-

1. Why are sequences performed in Gymnasti c s ?

- watch a video or live performance of a cartwheel in gymnastics and talk about how it is done

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
4Creating and PerformingSub-strand 27-

1. Why are sequences performed in Gymnasti c s ?

- demonstrate the cartwheel skill in gymnastics practise the cartwheel skill

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
5Creating and PerformingSub-strand 27-

1. Why are sequences performed in Gymnasti c s ?

- demonstrate sequencing of cartwheel, forward roll, and swan balance

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
31Creating and PerformingSub-strand 27-

1. Why are sequences performed in Gymnasti c s ?

- practise a 3-action sequence of cartwheel, forward roll, a swan balance while observing safety

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
2Creating and PerformingMelody-

1. (s) How can melodies be made interesting dunng composition?

- sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
3Creating and PerformingMelody-

1. (s) How can melodies be made interesting dunng composition?

- sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
4Creating and PerformingMelody-

1. (s) How can melodies be made interesting dunng composition?

- sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
5Creating and PerformingMelody-

1. (s) How can melodies be made interesting dunng composition?

- sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables

Approved course textbooks, realia, charts

- Observation

- Oral questions

- Written exercises

(Handwritten after lesson)
Curriculum Design & Content

Grade 6 Creative Arts Term 2 Strands and Sub-strands Breakdown

Official KICD curriculum breakdown taught during Term 2 in Grade 6 Creative Arts. Includes specific learning outcomes (SLOs), key inquiry questions (KIQs), core learning experiences, and teaching aids.

1
Strand 1.0

Creating and Performing

2 Sub-strands24 Lessons in Term 2

1.1 Rhythm and Pattern Making

18 Suggested LessonsTerm 2
Specific Learning Outcomes (SLOs)

By the end of this sub-strand, the learner should be able to:

Demonstrate understanding, values and foundational skills in Rhythm and Pattern Making.

Key Inquiry Questions (KIQs)
  • Why create rhythm in different beat patterns ?
  • a) b) Ver, m semibreve a nd c) French m names: taa, ra- 'e, raa-aa, raaNote symbols and 'heir rests d) e) interpret rhythmic patterns in music, compose a rhythm using a combination of musical notes and their improvise a rhythm in threebeat pattern on a percussion instrument, prepare a block with a geometrical motif for printing a pattern, print a full repeat pattern using a block for rhythm acquisition?
Learning Experiences
  • listen to 'sing familiar songs and identify words with the French m names raa, ta
  • re, taa-aa, tap/ clap\stamp and recite rhythmic patterns using French rhythm relate the French rhythm names to the music note symbols for the crotchet, pair of quavers, minim, dotted minim, semibreve and their rests, apply composition techniques to compose original rhythmic patterns using French rhythm names or note symbols, and their rests, use digital resources to further their skills of creating rhythms, listen to songs and identify songs in three
  • beat atterns
Teaching Resources

Approved textbooks, realia, counters, flashcards, charts & digital devices.

1.2 Creating IS and Executing Weaving

6 Suggested LessonsTerm 2
Specific Learning Outcomes (SLOs)

By the end of this sub-strand, the learner should be able to:

Demonstrate understanding, values and foundational skills in Creating IS and Executing Weaving.

Key Inquiry Questions (KIQs)
  • (s) Why is recycling beneficial to the e nvironment?
  • a) b) c) d) identify a plain weave for fami liarity, prepare materials and tools for weaving, weave a mat using plain weave on a serrated card loom, appreciate our own and peers ' woven items used for gymnas tics per formance?
Learning Experiences
  • research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback
Teaching Resources

Approved textbooks, realia, counters, flashcards, charts & digital devices.

2
Strand 2.0

Creating and Performing

1 Sub-strand6 Lessons in Term 2

2.1 Sub-strand 27

6 Suggested LessonsTerm 2
Specific Learning Outcomes (SLOs)

By the end of this sub-strand, the learner should be able to:

Demonstrate understanding, values and foundational skills in Sub-strand 27.

Key Inquiry Questions (KIQs)
  • Why are sequences performed in Gymnasti c s ?
Learning Experiences
  • watch a video or live performance of a cartwheel in gymnastics and talk about how it is done
  • demonstrate the cartwheel skill in gymnastics practise the cartwheel skill
  • demonstrate sequencing of cartwheel, forward roll, and swan balance
  • practise a 3-action sequence of cartwheel, forward roll, a swan balance while observing safety
  • observe peers ' gymnastic performance and give feedback
Teaching Resources

Approved textbooks, realia, counters, flashcards, charts & digital devices.

3
Strand 3.0

Creating and Performing

1 Sub-strand12 Lessons in Term 2

3.1 Melody

12 Suggested LessonsTerm 2
Specific Learning Outcomes (SLOs)

By the end of this sub-strand, the learner should be able to:

Demonstrate understanding, values and foundational skills in Melody.

Key Inquiry Questions (KIQs)
  • (s) How can melodies be made interesting dunng composition?
  • Executing syllables; doh to dom Compositio n narro w (thirds), stepwise motion, repetition, variation a appropriate ending, a) b) c) d) e) sing the sol-fa syllables doh to dohl ascending and descending, perform the sol-fa ladder using Kodaly hand signs, aurally recognise sol-fa sounds doh to dolli in familiar melodies, compose short melodies within the range of doh to doll I write the sol-fa syllables using calligraphy lettering, appreciate melodies created by self and others?
Learning Experiences
  • sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables
  • practise singing and performing the sol-fa ladder using Kodaly hand signs, apply composition techniques to compose original melodies based on sol-fa syllables d r mfs / dl use calligraphy lettering to add sol-fa syllables to created rhythms to form a melody, record or present the created melodies to peers for review and ement
Teaching Resources

Approved textbooks, realia, counters, flashcards, charts & digital devices.

4
Strand 4.0

Displaying and Performing

1 Sub-strand15 Lessons in Term 2

4.1 Athletics

15 Suggested LessonsTerm 2
Specific Learning Outcomes (SLOs)

By the end of this sub-strand, the learner should be able to:

  • describe Long jump and High jump techniques in athletics
  • perform the sail technique in Long jump for skills acquisition
  • perform the scissors technique in High jump for skills acquisition
  • appreciate Long jump and High jump techniques in athletics for enjoyment
Key Inquiry Questions (KIQs)
  • In watch a virtual or live performance of a Long jump and High jump, and keenly observe sail technique in long jump and scissors technique in high?
  • J ump, demonstrate the sail technique in Long jump while observing safety, practise the sail technique in Long jump while observing safety, demonstrate the scissors technique in High jump, while observing safety practise the scissors technique in High jump while observing safety, observe each other's perfo Long jump and High jump and give feedback, ui Question s How is the jumping skill useful in athletics?
  • Why is it important to maintain a pace in athletics?
Teaching Resources

Approved textbooks, realia, counters, flashcards, charts & digital devices.

5
Strand 5.0

Displaying and Performing

2 Sub-strands26 Lessons in Term 2

5.1 Descant Recorder

14 Suggested LessonsTerm 2
Specific Learning Outcomes (SLOs)

By the end of this sub-strand, the learner should be able to:

Demonstrate understanding, values and foundational skills in Descant Recorder.

Key Inquiry Questions (KIQs)
  • How can a good tone be produced on a descant a) b) c) d) play notes C to DI on the descant recorder with appropriate playing techniques, play a melody within the range of C to Dion the descant recorder, play the main melody of the Kenya National Anthem on the descant recorder, show interest in playing the descant recorder?
Learning Experiences
  • observe and interpret the Baroque fingering chart of the notes C D E FGABClandD1 individually and in groups practise playing the notes C D E F G A B DI ascending and descending on the descant recorder with appropriate playing techniques
  • practise playing melodies based on notes CD EFGABCI andDlon the descant recorder applying playing techniques and hygiene measures, present melodies before peers for critique and improvement, search
  • watch videos and practise playing melodies on the descant listen to and play the mam me of the Kenya National Anthem
Teaching Resources

Approved textbooks, realia, counters, flashcards, charts & digital devices.

5.2 Indigenous Kenyan Instrumental Ensembles

12 Suggested LessonsTerm 2
Specific Learning Outcomes (SLOs)

By the end of this sub-strand, the learner should be able to:

Demonstrate understanding, values and foundational skills in Indigenous Kenyan Instrumental Ensembles.

Key Inquiry Questions (KIQs)
  • How can one play an instrument as part of an instrumental ensemble?
  • a) b) c) d) identify the categories of indigenous Kenyan instrumental ensembles, describe factors to consider when playing in an instrumental ensemble, play a selected instrument in an ensemble using appropriate techniques, appreciate the role of Kenyan indigenous musical instruments in perfo rmance_?
Learning Experiences
  • observe actual/ virtual samples of performance of Kenyan indigenous instrumental ensembles and classify them, collaboratively identify the instruments that form part of the categories of the instrumental ensembles
  • brainstorm on factors to consider for successful playing in an indigenous Kenyan instrumental ensemble, select an instrument to perform in a Kenyan Indigenous Instrumental ensemble, tune the selected instrument using appropriate technique, handle with care while practising and playing a selected instrument in a Kenyan indigenous Instrumental ensemble
Teaching Resources

Approved textbooks, realia, counters, flashcards, charts & digital devices.

6
Strand 6.0

Displaying and Performing

1 Sub-strand12 Lessons in Term 2

6.1 Indigenous Kenyan CraftPottery

12 Suggested LessonsTerm 2
Specific Learning Outcomes (SLOs)

By the end of this sub-strand, the learner should be able to:

  • identify pottery items made using slab technique
  • model a vase us Ing slab technique for express' on
  • decorate a modelled item for aesthetic enh ancement
  • appreciate pottery as an indigenous Kenyan craft
Key Inquiry Questions (KIQs)
  • Qu s Why are clay items dried under the shade?
Learning Experiences
  • observe actual/ virtual samples of indigenous Kenyan pottery items and identify items made using slab technique, responsibly source clay from the environment (anthills, riverbanks among others), collaboratively, prepare the clay by kneading and wedging, roll clay into slabs of equal uniform thickness, cut slabs of clay (rectangular and circular) and join to form a finish the vase by burnishing and stamping, leave to dry under shade
  • display and talk about own and others modelled item _
Teaching Resources

Approved textbooks, realia, counters, flashcards, charts & digital devices.

Grade 6 Creative Arts Full Year Strands (Terms 1, 2 & 3)

Complete annual curriculum scope for Grade 6 Creative Arts showing the term-by-term distribution of all 9 strands.

  • Creating and Performing
Term 2Current
  • Creating and Performing
  • Creating and Performing
  • Creating and Performing
  • Displaying and Performing
  • Displaying and Performing
  • Displaying and Performing
  • Displaying and Performing
  • Swimming
  • Displaying and Performing
  • Appreciation in Creative Arts

Other Grade 6 Schemes of Work for Term 2

Download complete, editable schemes of work and explore strands for all learning areas in Grade 6.

Explore Schemes for Other CBC Grades

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Curriculum Compliance & Official Accreditation

All schemes of work on this platform are meticulously aligned with official standards set by Kenyan educational statutory authorities:

Help & Answers

Frequently Asked Questions: Grade 6 Creative Arts Term 2

What strands and sub-strands are covered in Grade 6 Creative Arts Term 2?

In Term 2, Grade 6 Creative Arts covers the following main strands: Creating and Performing, Creating and Performing, Creating and Performing, Displaying and Performing, Displaying and Performing, Displaying and Performing. Each strand is broken down into specific sub-strands with allocated lesson periods across the 14-week term.

What are the specific learning outcomes for Grade 6 Creative Arts in Term 2?

Each sub-strand defines measurable learning outcomes covering knowledge, psychomotor skills, and values. Learners engage in hands-on activities, realia observation, and collaborative problem-solving as outlined in the syllabus breakdown above.

How is Grade 6 Creative Arts Term 2 structured across weeks?

This scheme spans 14 calendar weeks (70 lesson slots), with Mid-Term Break in Week 8 and End-of-Term Assessment in Week 14, in full compliance with the 2026 Kenyan Ministry of Education school calendar.

Can I download and edit this Term 2 scheme in Microsoft Word or PDF?

Yes. You can instantly download a completely editable Microsoft Word document (.docx) or print-ready PDF, or open it directly in the online scheme builder to customize teacher name, school name, and TSC details.