| 1 | 1 | Creating and Performing | Rhythm and Pattern Making | - | 1. b) Ver, m semibreve a nd c) French m names: taa, ra- 'e, raa-aa, raaNote symbols and 'heir rests d) e) interpret rhythmic patterns in music, compose a rhythm using a combination of musical notes and their improvise a rhythm in threebeat pattern on a percussion instrument, prepare a block with a geometrical motif for printing a pattern, print a full repeat pattern using a block for rhythm acquisition? | - beat atterns | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 2 | Creating and Performing | Creating IS and Executing Weaving | - | 1. (s) Why is recycling beneficial to the e nvironment? | - research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 3 | Creating and Performing | Creating IS and Executing Weaving | - | 1. (s) Why is recycling beneficial to the e nvironment? | - research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 4 | Creating and Performing | Creating IS and Executing Weaving | - | 1. (s) Why is recycling beneficial to the e nvironment? | - research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 5 | Creating and Performing | Creating IS and Executing Weaving | - | 1. b) c) d) identify a plain weave for fami liarity, prepare materials and tools for weaving, weave a mat using plain weave on a serrated card loom, appreciate our own and peers ' woven items used for gymnas tics per formance? | - research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 2 | 1 | Creating and Performing | Creating IS and Executing Weaving | - | 1. b) c) d) identify a plain weave for fami liarity, prepare materials and tools for weaving, weave a mat using plain weave on a serrated card loom, appreciate our own and peers ' woven items used for gymnas tics per formance? | - research in virtual and actual sources to identify a plain collect and prepare recyclable materials for weaving such as yams, fibres among others) make a serrated card loom on a stiff material and a shuttle, weave a mat/scarf using a serrated card loom with emphasis on colour variation, finish the mat'scarf by cutting and tying the tassels, display and positively critique each other's woven items for reflective feedback | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 2 | Creating and Performing | Sub-strand 27 | - | 1. Why are sequences performed in Gymnasti c s ? | - watch a video or live performance of a cartwheel in gymnastics and talk about how it is done | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 3 | Creating and Performing | Sub-strand 27 | - | 1. Why are sequences performed in Gymnasti c s ? | - watch a video or live performance of a cartwheel in gymnastics and talk about how it is done | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 4 | Creating and Performing | Sub-strand 27 | - | 1. Why are sequences performed in Gymnasti c s ? | - demonstrate the cartwheel skill in gymnastics practise the cartwheel skill | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 5 | Creating and Performing | Sub-strand 27 | - | 1. Why are sequences performed in Gymnasti c s ? | - demonstrate sequencing of cartwheel, forward roll, and swan balance | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 3 | 1 | Creating and Performing | Sub-strand 27 | - | 1. Why are sequences performed in Gymnasti c s ? | - practise a 3-action sequence of cartwheel, forward roll, a swan balance while observing safety | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 2 | Creating and Performing | Melody | - | 1. (s) How can melodies be made interesting dunng composition? | - sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 3 | Creating and Performing | Melody | - | 1. (s) How can melodies be made interesting dunng composition? | - sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 4 | Creating and Performing | Melody | - | 1. (s) How can melodies be made interesting dunng composition? | - sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 5 | Creating and Performing | Melody | - | 1. (s) How can melodies be made interesting dunng composition? | - sing sol-fa syllable doh to dohl ascending and descending with accuracy in pitch, Imitate sol-fa pitches sung or played on a melodic instrument for pitch discrimination, listen to and sing familiar songs within the d-dl range using sol-fa syllables | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |