| 1 | 1 | Creating and Performing in Creative Arts and Sports | Swimming | By the end of the sub strand, the learner should be able to; a) perform water treading skill in swimming | 1. Why are swimming skills considered as survival skills? | - use drills to practise treading and breaststroke skills while observing safety | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 2 | Creating and Performing in Creative Arts and Sports | Swimming | By the end of the sub strand, the learner should be able to; a) perform water treading skill in swimming | 1. Why are swimming skills considered as survival skills? | - use drills to practise treading and breaststroke skills while observing safety | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 3 | Creating and Performing in Creative Arts and Sports | Swimming | By the end of the sub strand, the learner should be able to; a) acknowledge own and others’ efforts while performing water treading and breast stroke skills in swimming | 1. Why are swimming skills considered as survival skills? | - observe others as they apply the skills of water treading and breast stroke and give feedback | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 4 | Creating and Performing in Creative Arts and Sports | Swimming | By the end of the sub strand, the learner should be able to; a) acknowledge own and others’ efforts while performing water treading and breast stroke skills in swimming | 1. Why are swimming skills considered as survival skills? | - observe others as they apply the skills of water treading and breast stroke and give feedback | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 5 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) classify folk dances from Kenyan communities | 1. How do folk dances represent Kenyan culture? | - explore live or virtual folk dance performances from diverse Kenyan communities to describe and categorise them according to; community, gender and age of participants, occasion, purpose, and themes | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 2 | 1 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) classify folk dances from Kenyan communities | 1. How do folk dances represent Kenyan culture? | - explore live or virtual folk dance performances from diverse Kenyan communities to describe and categorise them according to; community, gender and age of participants, occasion, purpose, and themes | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 2 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) classify folk dances from Kenyan communities | 1. How do folk dances represent Kenyan culture? | - select an appropriate folk dance from a given Kenyan community for performance | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 3 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) devise a folk dance from a Kenyan community | 1. How do folk dances represent Kenyan culture? | - select a theme on a societal issue | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 4 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) devise a folk dance from a Kenyan community | 1. How do folk dances represent Kenyan culture? | - select a theme on a societal issue | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 5 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) devise a folk dance from a Kenyan community | 1. What makes a good folk dance performance? | - watch actual or virtual performances of the selected folk dance to explore dance movements, singing, instrumentation, costumes, body make-up, props, mood, and context of performance and performers | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 3 | 1 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) create body make up using improvised paint | 1. What makes a good folk dance performance? | - devise a dance by selecting and sequencing dance movements, songs, instrumentation, costumes, body make-up, and props for the selected dance | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 2 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) create body make up using improvised paint | 1. What makes a good folk dance performance? | - take a role in rehearsing a group folk dance ensuring appropriate dance performance technique | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 3 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) create body make up using improvised paint | 1. What makes a good folk dance performance? | - take a role in rehearsing a group folk dance ensuring appropriate dance performance technique | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 4 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) perform a folk dance from a Kenyan community | 1. What makes a good folk dance performance? | - explore virtual or actual demonstrations of make-up designs to make body make-up | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |
| 5 | Creating and Performing in Creative Arts and Sports | Kenyan Folk Dance | By the end of the sub strand, the learner should be able to; a) perform a folk dance from a Kenyan community | 1. Below Expectation Describes 4 or less aspects of creating and performing in Creative Arts and Sports leaving out major details. Creates 4 or less items in Creative Arts and Sports. Performs 6 or less items in Creative Arts and Sports? | - decorate each other’s bodies for the dance performance | Approved course textbooks, realia, charts | - Observation - Oral questions - Written exercises | (Handwritten after lesson) |